Milminyina was born in 1960 at the very northeastern tip of the Northern Territory. She has a very distinguished lineage. She is the daughter of Gumatj woman Rrirraliny Yunupiŋu (a daughter of famous artist and political figure Mungurrawuy Yunupiŋu), and Gunguyuma Dhamarrandji, who was brought up by the legendary Djapu leader Woŋgu Munuŋgurr.
She had sold paintings on canvas for years but recently expanded her presence and status working on bark paintings and Larrakitj (memorial poles) at Buku-Larrŋgay Mulka. It was in this context that she began to explore the theme of the songlines associated with ceremonies connected to Dhambaḏiny (Death or Deaf Adder) on Bremer Island.
This exhibition brings to life the connection between the people, the art and the spirit which is in the land. It also shows the significance that art plays in maintaining and strengthening ephemeral culture. This becomes a virtuous circle when you appreciate that the art is made entirely from the land apart from the binding material.
“When you look at art, every line and the design on it means something to you. It’s from your heritage, your Yolŋu backbone, and it’s your identity as well. It is also connected to the songline and the land.”
– Milminyina Dhammarrandji
