Michael Taylor | This is Awkward

Michael Taylor’s 2021 solo show ‘This is Awkward’ at .M Contemporary will run from June 3rd to June 20th.

Pre sale is now open. Purchase available exhibition works online below.

Gallery open | Monday – Friday, 9am – 5pm & Saturday, 10am – 4pm.

Michael Taylor | This is Awkward

In his third solo show for .M Contemporary, Michael Taylor continues to explore personal and cultural mythologies and social theatrics, specifically engaging themes of social awkwardness and disillusionment, societal habits, solitude and longing. The collection of 15 ‘character portraits’ (as opposed to traditional portraiture of distinct individuals) offers playful, satirical sketches of attitudes, temperaments, atmospheres and, in particular, social dynamics.

Imagined scenarios are populated by fictional characters dancing and stumbling towards interaction, in varying degrees preoccupied with seeing and being seen. Astute gestural marks, telling colour and flattened, cramped perspectives stage stories about spaces: around and between people, within interior and exterior worlds, all set against a familiar backdrop of baffling, coded social cues.

Lone figures describe differing experiences of isolation: A colourful recluse is happily disconnected even from technology, while a social media butterfly sits disillusioned, despairing at the revelation of her rather monotone performance. Group portraits are similarly diverse in mood, revealing intriguing hierarchies, suffocating attachments and unlikely alliances. Pre-covid scenes of blissfully ignorant proximity offer some nostalgic solace to our present-day distance – and, simultaneously, ironic relief at the freedom from such social obligations.

It’s a display of humanity in all its endearing awkwardness, the performative compositions and visual puns highlighting our ridiculous pretences and (badly) disguised postures.

The word ‘awkward’ serves as a delightfully apt euphemism – a catch-all adjective that politely masks the absurd variety of human interactions, of highs and humiliations, affinities and misfires. The portraits exude a strong reflective sensibility – we cannot help but consider our own perspectives on sociability, with a longing, a cringe, and a grin of self-recognition.

  • Michael TaylorBerlin Barn Owls, 2019

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  • Michael TaylorBring the Fun Home, 2021

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  • Michael TaylorFinders Keepers, 2021

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  • Michael TaylorForever Friday, 2021

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  • Michael TaylorJust For Fun, 2021

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  • Michael TaylorNever Have I Ever, 2021

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  • Michael TaylorPink Premonition, 2021

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  • Michael TaylorStop at Nothing, 2021

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  • Michael TaylorThe Barbeque Survivors, 2021

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  • Michael TaylorThe Experts, 2021

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  • Michael TaylorThe Objectionable Friend, 2021

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  • Michael TaylorThe Social Committee, 2021

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  • Michael TaylorWe Work We Play, 2021

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  • Michael TaylorThe Volunteer, 2019

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  • Michael TaylorThe Courier, 2018

    $4,560 includes framing
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  • Michael TaylorDeep Regret, 2018

    $4,060 includes framing
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  • Michael TaylorGhost in the Garden, 2021

    $5,055 includes framing
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  • Michael TaylorThe Doubtful Duo, 2021

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  • Michael TaylorMake your own Spooky, 2018

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  • Michael TaylorThree Blind Mice, 2021

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Michael Taylor (born 1979) is a South African artist who lives and works in Cape Town. He studied at Stellenbosch University, where he completed his Master’s Degree in Visual Art. Primarily working in the mediums of painting and drawing, his work explores notions around narrative art, absorbing ideas from illustration and abstract representation. In 2013, Michael was shortlisted as 100 Young Painters of Tomorrow by Thames & Hudson. His work is also included in the Woodner Collection.

“My work can be described as ironic, illustrative, and self-reflexive pictures. I draw comparisons between personal and cultural knowledge – themes and narratives that inform my everyday thinking. These interpretations are fundamentally concerned with image-text paradigms – the subtleties between visual thoughts and language. I look at these relationships, particularly the interplay between an image and its adjoined title, as concepts for my work. And I am always interested in working with humour and ridicule, ways of communicating that are disarming, and those aspects pointing to being simply human. It’s these elements, I believe, that will make the viewer become aware of themselves when reading the image.”

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